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Hands at the Cuevas de las Manos upon Río Pinturas, near the town of Perito Moreno in Santa Cruz Province, Argentina

Natural wonder South America

Cueva de las Manos

Cueva de las Manos means Cave of the Hands. Its rock walls are covered with outlines of hands.

Cueva de las Manos, the Cave of the Hands, is a cave with painted rock shelters in the Río Pinturas canyon in Patagonia, Argentina. Its walls hold stenciled outlines of human hands, animals and hunting scenes made with natural mineral paints.

Cueva de las Manos, Río Pinturas (UNESCO World Heritage Site, 1999) is a cave and painted rock shelters in a deep canyon in Santa Cruz Province, Argentina. Its rock art sequence began as early as the 10th millennium before present and includes hand stencils, guanacos and hunting scenes.

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Photo: Mariano, public domain, via Wikimedia Commons

Discover the Cave of the Hands

Cueva de las Manos is in Argentina, in South America. Its name means Cave of the Hands.

In this photo, many outlines of hands cover the rock in red, white and dark colors.

Cueva de las Manos lies above the Río Pinturas, a river in a deep canyon in Santa Cruz Province, Argentina. UNESCO says it takes its name, Cave of the Hands, from the stenciled outlines of human hands on its walls.

This photo by Mariano, taken in 2005, shows part of a rock wall covered with hand stencils in red, white, purple and dark colors, many overlapping.

UNESCO describes Cueva de las Manos, Río Pinturas, as an exceptional assemblage of cave art: many painted rock shelters, including a cave, above a river running through a deep canyon. The site was inscribed on the World Heritage List in 1999 (600 ha).

The photo (Mariano, CC BY-SA 3.0, 2005) shows a section of rock wall crowded with overlapping hand stencils in red, white, purple and dark pigments.

Where
Río Pinturas canyon, Santa Cruz Province, Argentina
World Heritage Site
since 1999
World Heritage property
600 ha
Hands at the Cuevas de las Manos upon Río Pinturas, near the town of Perito Moreno in Santa Cruz Province, Argentina
Photo: Mariano, public domain, via Wikimedia Commons

Rock shelters in a canyon

A river runs through a deep canyon with steep cliffs here.

The cliffs have natural shelters under the rock.

The Pinturas River area has low plateaus, 800 to 1,000 meters above sea level, cut by deep canyons with steep cliffs. The main canyon is the Pinturas River's own. There are many natural rock shelters in these cliffs, and UNESCO says the site has many painted rock shelters, including a cave.

The canyons are sheltered from the winds that sweep across the plains around them, and their winters are mild.

ICOMOS's 1999 evaluation describes low plateaus at 800-1,000 m cut by deep canyons bordered by steep cliffs, the main one that of the Pinturas River, with many natural rock shelters in the cliffs. The soil is rocky and poor.

The canyons have a temperate climate because they are protected from the winds that sweep the pampas. Studies of the cave's sediments suggest that present conditions had been established by 11,000 years before present.

Hands made with mineral paint

People made outlines of hands in paint on the rock.

The paint came from colored minerals.

The hands are stencils: outlines of hands left in paint on the rock. UNESCO says the paints were natural minerals, ground and mixed with a binder. Iron oxides gave red and purple, kaolin clay gave white, a mineral called natrojarosite gave yellow and manganese oxide gave black.

A rock wall covered with many hand stencils screens the entrance to the cave, and newer pictures often lie on top of older ones.

The paintings were made with natural mineral pigments ground and mixed with a binder whose nature is unknown: iron oxides (hematite and maghemite) for red and purple, kaolin for white, natrojarosite for yellow and manganese oxide for black, sometimes with gypsum added (ICOMOS, by X-ray diffraction).

The cave entrance is screened by a rock wall covered by many hand stencils; inside the rock shelter there are five concentrations of rock art, with later figures often superimposed on earlier ones (UNESCO).

Art through thousands of years

People painted here for thousands of years.

They painted hands, guanacos and hunting scenes.

UNESCO says the art was made over a long time, beginning more than 9,000 years ago. The oldest group shows hunting scenes with guanacos, the hunters' main prey.

From about 7,000 years ago, hand stencils filled the walls, along with a few stencils of rhea feet. From about 1,300 years ago, artists painted geometric shapes and simple animals and people in bright red.

The artistic sequence, with three main stylistic groups, began as early as the 10th millennium BP; the rock shelter's occupation is dated by excavation and radiocarbon to about 9300 BP (ICOMOS). Group A shows hunting scenes of people whose main prey was the guanaco.

Around 7000 BP, Group B is dominated by hand stencils, with some stencils of rhea (ñandú) feet, until about 3300 BP. Group C, from around 1300 BP, uses bright red for abstract geometric figures and schematic animals and humans. UNESCO says the site was last inhabited around AD 700.

Guanacos then and now

Guanacos are painted on the cave walls.

Guanacos still live near the cave today.

UNESCO notes that guanacos, painted on the walls thousands of years ago, are still commonly found in the region.

The soil around the canyon is rocky and poor, but ICOMOS says the region supports many kinds of wild animals, and the guanaco stands out among them. UNESCO says the land around the cave still has the same animal and plant species that the cave art shows.

The guanaco (Lama guanicoe), depicted in the art, is still commonly found in the region (UNESCO). ICOMOS describes a rocky, poor soil but a diverse natural fauna in which the guanaco figures prominently.

UNESCO's integrity statement says the habitat around the site remains intact, with the same animal species depicted in the cave art approximately 10,000 years ago, and the same applies to plant species.

Visiting with care

Never touch the paintings. Hands can harm them.

Wear a hat and stay in the shade on sunny days.

UNESCO says most of the paintings are in excellent condition because the shelter is very dry, water does not seep in and the rock is stable. But more visitors have brought damage, including graffiti, broken-off pieces of painted rock, touching of the paintings, dust and litter. Look, but never touch.

The US Centers for Disease Control and Prevention (CDC) says to protect your skin with shade, sunscreen, long sleeves and a hat with a brim all the way around.

Very low humidity, no water infiltration and stable rock strata have kept all but the most exposed paintings in excellent condition (UNESCO). Rising tourism has brought vandalism (graffiti, removal of fragments of painted rock, touching of painted surfaces, dust and refuse), though measures have reduced these impacts.

For sun safety the CDC recommends shade, sunscreen, protective clothing and a hat with a brim all the way around.

Amazing facts

  • Some paintings here show the feet of a bird called a rhea.

    Along with hands, some stencils at Cueva de las Manos show the feet of the rhea, which ICOMOS calls the American ostrich.

    Stylistic Group B (from about 7000 BP) includes some stencils of the feet of the rhea, which ICOMOS calls the American ostrich (ñandú).

  • The yellow paint came from a mineral with a long name: natrojarosite.

    Scientists used X-rays to find out what the paints are made of: iron oxides, kaolin, natrojarosite and manganese oxide.

    X-ray diffraction showed iron oxides (hematite and maghemite) for red and purple, kaolin for white, natrojarosite for yellow and manganese oxide for black (ICOMOS).

  • Guanacos painted long ago still live near the cave.

    UNESCO says the land around the cave still holds the same animals the painters showed long ago, like the guanaco.

    The habitat around the site has the same animal species depicted in the cave art about 10,000 years ago, and the same plant species (UNESCO).

Words to know

stencil
a shape made by putting something on a surface and painting around it
rock shelter
a shallow hollow under an overhanging cliff that gives shelter
pigment
a colored powder used to make paint
canyon
a deep valley with steep sides, often cut by a river
guanaco
a wild South American animal related to the llama

Discovery challenge

  1. What does Cueva de las Manos mean?

    What does the name Cueva de las Manos mean in English?

    Which English name matches the site's Spanish name, which UNESCO says comes from its stenciled hands?

    • Cave of the Hands
    • Cave of the Stars
    • Cave of the Bears
    Show the answer

    Cave of the Hands

    Cave of the Hands.

    Cave of the Hands, for its hand stencils.

    Cave of the Hands, from the stenciled outlines of human hands.

  2. Which country is the Cave of the Hands in?

    In which country is Cueva de las Manos?

    Santa Cruz Province, where Cueva de las Manos lies, is in which country?

    • Argentina
    • Egypt
    • Australia
    Show the answer

    Argentina

    Argentina.

    Argentina, in Patagonia.

    Argentina (Santa Cruz Province, Patagonia).

  3. What were the paints made from?

    What did the painters use to make their colors, according to UNESCO?

    What were the pigments of Cueva de las Manos made from?

    • Colored minerals
    • Plastic
    • Crayons
    Show the answer

    Colored minerals

    Colored minerals from the earth.

    Natural minerals, ground and mixed with a binder.

    Natural mineral pigments (iron oxides, kaolin, natrojarosite, manganese oxide) ground and mixed with a binder.

  4. Which animal is painted on the walls and still lives nearby?

    Which animal, shown in the paintings, is still common in the region?

    Which animal was the main prey in the Group A hunting scenes and is still commonly found in the region?

    • The guanaco
    • The kangaroo
    • The tiger
    Show the answer

    The guanaco

    The guanaco.

    The guanaco.

    The guanaco (Lama guanicoe).

  5. What should you never do to cave paintings?

    Which visitor action has damaged the paintings, according to UNESCO?

    Which of these does UNESCO list among the vandalism that has damaged the paintings?

    • Touch them
    • Look at them
    • Learn about them
    Show the answer

    Touch them

    Never touch them.

    Touching painted surfaces, along with graffiti and taking pieces of rock.

    Touching of painted surfaces, with graffiti, removal of fragments, dust and refuse.

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For parents & teachers

What children will learn

  • Locate Cueva de las Manos in Patagonia, Argentina.
  • Explain what a hand stencil is and how mineral paints were made.
  • Describe how canyons and rock shelters form a protected setting for rock art.
  • Know why visitors must never touch rock art.

Recommended ages: 3 to 17 · About 15 minutes

Talk about it

  • Why might rock art last for thousands of years in a dry rock shelter?
  • Why do newer paintings sometimes cover older ones?
  • Why might touching a painting, even gently, harm it over time?

Try at home or in class

  • Put your hand on paper and dab watercolor or chalk powder around it, then lift your hand to see a stencil.
  • On a map of South America, find Patagonia and Santa Cruz Province in Argentina.

Key vocabulary: stencil, rock shelter, pigment, canyon, guanaco

Where these facts come from

  1. Wikidata , Wikimedia Foundation (CC0 1.0)
  2. Cueva de las Manos, Río Pinturas (World Heritage List) , UNESCO World Heritage Centre
  3. Cueva de los Manos, Río Pinturas (Argentina), No 936: Advisory Body Evaluation , ICOMOS / UNESCO World Heritage Centre
  4. Sun Safety Facts , US Centers for Disease Control and Prevention
  5. File:SantaCruz-CuevaManos-P2210651b.jpg , Wikimedia Commons
  6. UNESCO World Heritage List , UNESCO World Heritage Centre (Linked as a reference; site facts come from Wikidata)
  7. Wikimedia Commons , Wikimedia Foundation (Per file (public domain, CC0, CC BY or CC BY-SA); see each media record)

Checked, not yet human-reviewed. Last updated November 1, 2026. Spotted a mistake? Tell us.

Picture credits
  • Photo: Mariano, public domain, via Wikimedia Commons · source